Showing posts with label Minissha Lamba. Show all posts
Showing posts with label Minissha Lamba. Show all posts

Minissha Lamba graces the cover of Andpersand


The sensational cover of the latest issue of the Andpersand has the super-sensational Minissha Lamba. Man, her eyes are enough for any dreaded terrorist group to drop their arms and surrender! Minissha Lamba, for starters, always wanted to be a journalist, who, then, eventually landed up in Bollywood.

We are sure that you just did not know that, with CNN's international correspondent Christiane Amanpour for inspiration, our lady in question, would have loved to interview the likes of Sonia Gandhi, Martin Luther King, John Lennon and James Dean , in that order! She also speaks all about her pastimes, films…and also gives words (read 'peals') of wisdom like "The novelty of the bikini should have worn off by now, especially the kind of shows you have on cable TV".

Neither the story ends there nor does the girl stop. She is simply unbeatable when it comes to giving interviews. And this interview is surely a standing testimony to this.

Minissha sizzles in a saree on the cover page of Seventeen


Over the last couple of months, Minissha Lamba has been all over the place. First it was her sweet girl-next-door act in Yash Raj Films' Bachna Ae Haseeno where she was paired opposite Ranbir Kapoor. And then just as everyone thought she could only play the sweet, innocent kind of roles, she surprised one and all by shedding some weight and clothes and sizzled in a white bikini in Sanjay Gadhvi's Kidnap.

Post Kidnap, everyone has been talking about Minissha's image make-over and the actress who was once only considered 'CUTE' is now being termed 'HOT'. Minissha features on the cover of fashion & style magazine 'Seventeen' in the October issue and even though she is seen donning a pink saree with golden yellow polka dots, she certainly has set the temperatures soaring.

In this must have issue, Minissha talks about her experience of romancing some of the hottest guys in Bollywood, shares some of her high-school days' memorie

Indore Barometer: Monday witnesses 70% - 80% fall

Monday is one crucial day for movies. Will the collections remain steady? Or will the business sink? The answers are crystal clear on Monday. The two major releases, KIDNAP and DRONA, sank on Monday completely. The business fell by almost 70% - 80% on Monday, which says it all. Let's check out the Thursday, Friday, Saturday, Sunday and Monday [highlighted in bold] figures at Indore, one of the key barometers of the industry:-

Inox
Kidnap: 99,100; 30,500; 28,000; 51,100; 11,800.
Drona: 73,300; 21,800; 19,400; 48,000; 6,700.

PVR
Kidnap: 1,52,600; 71,000; 67,500; 1,05,500; 26,400.
Drona: 1,38,400; 33,000; 63,500; 59,000; 18,300.

Velocity
Kidnap: 85,600; 28,800; 31,500; 41,000; 11,000.
Drona: 62,600; 16,000; 15,200; 23,500; 6,200.

Adlabs
Kidnap: 1,34,300; 41,000; 47,500; 68,200; 17,300.
Drona: 1,00,000; 26,000; 25,200; 44,700; 9,300.


By: Taran Adarsh

B.O. update: 'Kidnap' & 'Drona' - good & bad news

There's good news and bad news! First, the good news…

Both KIDNAP and DRONA, the two major releases of the week, benefitted due to October 2 holiday [Gandhi Jayanti and Eid]. The collections of KIDNAP were strong across all multiplexes on Thursday, but not as strong at mini-metros and smaller towns. The first day [Thursday] all-India nett, according to Studio 18, is approx. Rs. 5 crores. However, the business had a 25% decline on Friday due to it being a working day, although the collections should've been strong due to the Eid festivities.

DRONA, on the other hand, was leading in U.P., where it opened to an excellent response. The film was running to packed houses at several key stations here. At other places, the opening ranged from good to average to ordinary. A decline was noticed on Friday.

Now the bad news…

Both KIDNAP and DRONA are enjoying negative reports and the high occupancy could be due to the holiday period. While the opinion on KIDNAP ranges from below average to bad, DRONA is carrying negative reports. It remains to be seen how the two films fare on Saturday and Sunday, but given the fact that the reports are far from positive, a fall [at several places] is expected on Saturday and more from Monday onwards.

In Overseas, DRONA collected 4,00,000 Dirhams in the Middle East on its opening day [source: Eros]… KIDNAP also collected 4,00,000 Dirhams on Wednesday and 3,50,000 Dirhams on Thursday [source: Studio 18]… KIDNAP collected £ 65,000 on Thursday and £ 44,000 on Friday in U.K… KIDNAP also opened in Pakistan on Eid [on Wednesday]. The Pakistan distributor has informed this writer that the collections are bigger than SINGH IS KINNG.

Now the economics…

Both KIDNAP and DRONA carry the burden of a heavy price tag. Industry talk is that Ashtavinayak has sold KIDNAP for Rs. 36 crores to Indian Films. Add to it another Rs. 4 crores for prints and promotions [TV promotions were done separately by Ashtavinayak], which means that the costing is around Rs. 40 crores. Since Studio 18 hasn't sold the film and are distributing it across the country, it would be interesting to see what the outcome is after Week 1.

On the other hand, DRONA is an expensive film [industry pegs it at Rs. 45 cores to Rs. 50 crores] and add to it prints + promotion expenses. Eros too is distributing the film. Let's await the outcome!

Kidnap - Movie Review



When you carry the baggage of super-successful films like DHOOM and DHOOM 2, the expectations from your subsequent outing is bound to be gargantuan. Unfortunately, KIDNAP falls short of expectations. You expect a seven course meal, but you're served mere crumbs.

Let's introspect. Where does it falter? The boy versus man concept holds tremendous scope and writer Shibani Bathija could've come up with an enthralling revenge drama. But KIDNAP fumbles, stumbles and falls on its face. The cat-n-mouse game is hardly enticing and that is its biggest drawback.

KIDNAP comes close to ZINDA in terms of plotline. There're similarities between the two films. But KIDNAP isn't as dark and gruesome as ZINDA. Also, KIDNAP loses focus after a promising start.

The hallmark of any revenge fare is the suspense quotient. In this case, there's a motive behind what Imran does. And money is definitely not the motive here. So far, so good. But the purpose of kidnapping the billionaire's only daughter as also the chain of events that lead to the culmination is such a put-off. Things keep deteriorating as they reach the finale.

The culprit? Obviously, the writer of this lifeless, unexciting and tedious drama. Shibani seems to think that the audience is pea-brained.

Silver lining or just dark clouds? Imran Khan's splendid act acts as a soothing balm, but if the pudding is tasteless, no amount of dressing can salvage the situation, right?

When Dr. Mallika [Vidya Malvade] asks her daughter Sonia [Minissha Lamba] what she wants for her 18th birthday, Sonia tells her she wants to meet her dad, Vikrant Raina [Sanjay Dutt]. The mother and father of this kid have separated, we're explained at the very outset. After a spat between the mother and daughter, Sonia walks off in a huff and doesn't return.

Mallika panics when she gets a call from a stranger that he has kidnapped Sonia. The kidnapper, Kabir [Imran Khan], has only one demand -- he will negotiate with nobody but Sonia's father, Vikrant.

Reluctantly Mallika brings Vikrant back into their lives to save Sonia. But Vikrant chokes at the thought of taking orders from a criminal. But Kabir holds the trump card -- he holds Sonia -- and Vikrant knows he has no option but to toe the line.

Kabir tells him they are going to play a game -- just the two of them. Vikrant has to play by the rules set by Kabir and he has to play alone. He has to play to save his daughter. If he even utters the words 'Hello Police', it will be Bye Bye for Sonia!

Because his daughter's life is at stake, a reluctant Vikrant agrees to obey Kabir's orders…

Never judge a book by its cover. This adage suits KIDNAP to the T. One look at its promos and you know what the story is, but the screenplay is so amateurish, even lifeless at times, that you scream, no, no, no, no, no!

Gadhvi and Shibani open the cards at the very outset. The sketches at the very beginning as also Minissha's kidnap within 10 minutes of the start compels you to think that the follow up should be equally exhilarating. But things start going wrong from this part onwards.

Imran's clues for Sanju, the first in a train and later at an engagement ceremony, make no sense. Later, Sanju and Vidya Malvade's entry in the jail is bizarre. This part takes you back to the cinema of 1970s and 1980s, when nonsense dominated. Later, when Sanju refuses to take Imran's call, Imran lands up at his house. Which kidnapper, in his right senses, would ever do that? Even the flashback -- Imran's childhood portions -- are just not impactful. Ditto for the climax. The shootout at the New Year party is ridiculous. Seriously, the writing is pathetic!

Sanjay Gadhvi is letdown by a script that easily ranks amongst the worst of 2008. Pritam's music is another sore point. Barring the 'Mit Jaaye' track, the remaining songs are lacklustre. Bobby Singh's camerawork is first-rate.

KIDNAP belongs to Imran Khan. Watch this youngster take giant strides and you know that he has arrived. He carries the cold look effortlessly. Sanjay Dutt looks disinterested, as if he is about to break into a yawn. Minissha Lamba is miscast. She doesn't look like a 17-year-old in the first place. Also, the generous dose of skin show doesn't gel with someone who's held captive. Vidya Malvade is efficient. Reema Lagoo is a mere prop. Rahul Dev's character looks forced.

On the whole, KIDNAP fails to grip you and that is its biggest flaw. At the box-office, KIDNAP being teen sensation Imran Khan's immediate release after the blockbuster hit JAANE TU… YA JAANE NA would ensure a strong opening weekend, but the poor merits are sure to take a toll once the initial euphoria subsides. Disappointing!

'Kidnap' versus 'Drona' 2 days to go



Now here's one week everyone's looking forward to. After a string of low-cost and medium-budget fares making a mark in the holy month of Ramzan, let's get ready to embrace the biggies, starting from this week onwards. All eyes are on KIDNAP and DRONA. For various reasons…

KIDNAP is crucial for director Sanjay Gadhvi as also Imran Khan. Gadhvi makes his first film outside Yash Raj and naturally, people are expecting the moon from Gadhvi's new outing. Will KIDNAP be as successful as DHOOM and DHOOM 2? KIDNAP is also an acid test for Imran Khan, who has been cast in a role that's in sharp contrast to the one in JAANE TU… YA JAANE NA. Will it work? Will Imran stand up to a giant like Sanjay Dutt, who has decades of experience behind him?

Similarly, DRONA is crucial for Abhishek Bachchan and Goldie Behl. Abhishek has had a string of flops after GURU. JHOOM BARABAR JHOOM and LAAGA CHUNARI MEIN DAAG, produced by Yash Raj, have proved supreme disasters at the box-office, while SARKAR RAJ met with average success in Mumbai-Maharashtra and South. Elsewhere, it was a flop.

Since DRONA rides on Abhishek's shoulders, it'll be interesting to see if the actor pulls in the audiences in its opening 4-day weekend. Also, Goldie Behl has to prove his abilities after he flunked the test in BAS ITNA SA KHWAB HAI. Thursday, October 2 holds the answers!

"I was a little hesitant to play a kidnapper as I was a bit unsure" - Imran Khan

Imran Khan is on time. It's 9.30 am at Shree Ashtavinayak's office. The nation's press is eager to meet him and quiz him on his second film Kidnap. It's a step away from the usual cute boy-next-door role that Imran has cornered the market in, ever since he became an instant star with Jaane Tu… Ya Jaane Na. He is sporting a beard and long hair for his next film Delhi Belly. But it's Kidnap which is giving him the shivers at the moment. He sits on the sofa folding his legs, gets comfortable and recalls his days with me in London while he came for Jaane Tu promotions. The same smile, the same personality, the same style but a very different Imran Khan this time - bold, matured and fearless and ready to take on the Press. In this exclusive tete-a-tete, Bollywood Hungama's London Correspondent Devansh Patel met the teenage Khan and asked him - Khan you do it one more time?

So what rules are you going to set for us while we watch Kidnap?
What rules do I set? You'll have to wait and see this one man! This is a really tricky film. In that I have to be very careful with every question that I answer because I might give something away. So much of the film relies on mystery and the audiences not knowing what's going on. It's like a minefield. Every single question you ask has to be analysed.

Is the battle inevitable? Drona v/s Kidnap and Abhishek Bachchan v/s Imran Khan?
Every single Friday a film releases. There are many Friday's where three to four films are released. This comparison business is inevitable. There are more films than the weekends in the year. There are going to be clashes, there will be films releasing on the same day, you make your film and promote it the best that you can and make sure that it is the best you can possibly make and hope for the best. That is what is going to happen when two biggies meet on October 2.

Kidnap's scripting has been in the making since five years. Don't you think that Kidnap is releasing a bit late or do you take it as a bonus after your JTYJN success?
Two things. Firstly, it's a tremendous bonus for me. It gives me a chance and a challenge to stretch myself to the limit. Nothing like it. Secondly, when it comes to late, I don't think so. Jaane Tu also took a long time coming together. We had a lot of problem while we were making that film. The project got stuck and then it got restarted. But in spite of that the film touched success only because the product was good. We all feel the same way about Kidnap. Certainly you have to update a few things. Now say from 2003 to 2005, few things changed. Technology changes a little bit and you have to update those little things. But the base story of the film never changes.

Studio 18's last film in the U.K grossed over a million pounds. Will its Midas touch work on Kidnap too?
Studio 18 has got a killer line up this year. They got Singh is Kinng and Kidnap. They've got Ghajini too and I bet they're going to be very happy by the end of this year.

Why go for a tanned look in Kidnap?
Thanks to Vicky, my make up artist, I looked perfectly tanned. My director Sanjay Gadhvi had a particular look in mind. He wanted me to look harder and meaner. You can see my hair cut. It's buzzed on the sides. That made my face look different. It made my face look sharper. The darker skin colour gave me a tougher look.

Is Kidnap a hard core action flick?
No its not. There are a few action pieces but it's not an action film. It's a kind of a drama thriller with two or three action sequences.

What did you learn from the father figure like co-star Sanjay Dutt?
I didn't learn anything from him. He doesn't preach. If you know him at all and have tracked his career, you'll come to the conclusion that he is a guy who has walked his own path. He is very much the rebel, very much the rock star. He does it his way and the way he wants to do it. Sanju baba is not the one who is going to go around telling people how to live their lives.

Tell me something interesting about Sanjay Dutt.
Ok. Here you go. We are doing a scene together and I'll sit with my dialogues for 45 minutes before I get ready. I'll march up and down the stairs doing rehearsals and reciting my lines this way - that way, taking a pause here and there. Sanju baba will walk on the sets and the assistant director will hand over the dialogues to him. He will sit and read through it once. We then do the scene where I say my lines and he'll say his line and look at me with sheer intensity that I forget the rest of my lines. Such is the weight of this actor. The gravity he brings with him shocks you.

The cute Minissha Lamba is out and the sexy Minissha Lamba is in. What say?
Definitely she is sexy. But having said that, she is not a damsel in distress. There is a major confrontation scene between me and Minissha. She is not a girl who is kidnapped. She is very much Sanjay Dutt's daughter. She is fearless and fights back with a vengeance. Sanjay Dutt's character is like a very tough and a fearless guy. Like father like daughter. She doesn't submit that easily and looks for a way out to escape, she looks for a way to hurt the kidnapper, etc. Yes, a tough and a sexy Minissha for the first time on screen.

Tell us a bit about the tattoo you sport in the film.
That's a permanent tattoo. I got it when I was seventeen. I've had it for years. It's just that in Jaane Tu, it didn't suit my character. We tried to cover it with make up and my costumes. That's why I was seen wearing lots of collared t-shirts in the film. The shot where you see my tattoo in the trailer was in fact the last scene we shot for the film. It was the last day of the shooting and we shot it in the middle of the night. After that shot, it was pack up. The film was over. Sanjay Gadhvi decided to use the tattoo because he knew that it was covered and hidden in Jaane Tu. He liked the look of the tattoo and he thought that it would add to the character of the kidnapper.

A few weeks back we also saw another thriller drama release in the form of 'A Wednesday' which was well received by the public. Do you think people are now willing to experiment with different genres and Kidnap will see the same results?
Kidnap is not that different from I'd say A Wednesday. It's still a very commercial film though. Sanjay Gadhvi is in that space and likes to make commercial blockbusters and he is very clear about that. Kidnap is different in way as there is less concessions to the audiences. There is always an idea that we are making a serious film or a thriller or an action flick then you have to put in the romance and comedy element to give the audience a break. It is very demeaning and Kidnap is not that.

Then what about songs?
There are songs in the film but I don't sing or dance. 'Mit Jaaye' is not a part of the film because it comes in the end credits. But there are two songs with Sanjay Dutt. One is shown in the flashback and the other is a situational number. Then there is Minissha's introduction song. There is no place for 'Mit Jaaye' in the film because the theme and the tune of that song is used as the theme of Kidnap. So it's there throughout in the background music.

Were you hesitant to play a kidnapper knowing your chocolate boy looks?
I was a little hesitant to play a kidnapper. I mean, I loved the character but was a bit unsure. But at the same time I really wanted to do it. It was a tricky role and was tough too because I couldn't find a common ground with this guy. In Jaane Tu, the guy was so much like me. I understood him very well. In Kidnap, I was fumbling and trying to hold things together. In this tough time, Sanjay Gadhvi helped me through this. I wouldn't have been able to do this role without his support and backing.

Any research work went into your character for Kidnap?
There was no research which I could do for this character. There was a closed room on the fifth floor of the Ashtavinayak office where Minissha, Gadhvi and myself thrashed out our characters. For my own part to find the aggression with my character, I changed the music I was listening to in my I-Pod. About a year, I was only listening to metal and rock to get the darkness and the aggression.

Tell us about the time when you thought that Kidnap was not going to be made?
The entire film took about 12 months of shooting time. It took a year because Sanju went in the jail mid way. We thought the film was not going to be made now. We had shot for about five months and we were in middle of one major shoot with Minissha and me when we got the news that the judgement had come out and that Sanju was jailed. Suddenly everything stops. We didn't know what was going to happen. I am panicking as it was just my second film. It was Minissha's big film too and it was Sanjay Gadhvi's dream project. Plus the producers made a huge investment too. So all of us were sitting there and went mute. We asked each other, What do we do? What next? The worst thing was that there was no body who could take Sanju's place. There were no options available. The only thing you could do was just sit and pray and hope that he comes out.

Is Kidnap a lot of burden on your shoulders than Jaane Tu?
I wasn't nervous during Jaane Tu at all. This time I am very nervous because I don't know how I have done my role. I have not seen the film and have only seen my parts during dubbing. I don't know if it's good and I don't know if people will think it's good.

Why are you growing your beard then?
Oh! This look while you are interviewing me is for Delhi Belly. I am growing my beard and growing my hair for the role. I have to keep growing it until I hear back from my director. So everyday I go to my director and say whether it's enough and he says, 'No'.

Any message for your fans in the U.K who loved Jaane Tu… Ya Jaane Na and are eagerly awaiting to see you in Kidnap?
You know Jaane Tu didn't fare well in the U.K? It wasn't well accepted there. So here's a message for them. It's hard to give a good reason why one should go and watch Kidnap because it's quite subjective. This time around I'd ask them to be kind because I'm really nervous about Kidnap. Hope Kidnap does fare well than Jaane Tu in the U.K.

'Bachna Ae Haseeno' Trailer

After the disaster that was 'Saawariya,' Ranbir Kapoor is back with his real life lady love in 'Bachna Ae Haseeno' along with Bipasha Basu. Check out the trailer below!




Bachna Ae Haseenon

Everyone knows Ranbir Kapoor's post-Saawariya project is a romantic musical for Yash Raj Films. What isn't so well-known is that the project has been struggling to find itself an appropriate title.

Finally, the film has the title it has been looking for. The Ranbir starrer which has the young superstar courting Bipasha Basu, Minissha Lamba and Deepika Padukone, is called Bachna Ae Haseenon. The title immediately takes us back to Ranbir's father, Rishi Kapoor's, chartbuster in Nasir Husain's Hum Kisise Kum Nahin.

Laughs Ranbir, "But I don't think we decided to name the film Bachna Ae Haseenon to suggest a link with my past. Sure, the song was a big R.D. Burman chartbuster in its time. My dad, mom and I are all huge fans of R.D. Burman. My parent's biggest hits were composed by R.D. But more than the instant connectivity, I think the title was selected because it's very apt for my film. It's about this guy's journey in life and his different encounters with various women."

Bachna Ae Haseenon is 60 percent complete and it is expected to be released on August 15.

Subash K Jha, Bollywood Hungama

Venice is my ideal honeymoon place- Minissha Lamba

Download Minissha Lamba WallpapersMinissha Lamba is upbeat about HONEYMOON TRAVELS PVT LTD where she's paired opposite Abhay Deol. She is in awe of her co-star and is more than happy to be a part of the film. "I loved the script and had an enjoyable experience. Abhay is a great co-star and I respect him immensely. He is very energetic and actively participated in whatever we did," gushes Minnisha.

Considering the ensemble cast isn't she scared of being overshadowed. "HONEYMOON…is a romantic comedy, a lighthearted take on relationships about 6 couples. But every couple is different and it explores diverse relationships. It showcases normal people with little quirks in them."

"I am not scared of being sidelined because as an actor, you only want to better your performance and you compete with yourself. Besides each one has an individual role to play," she waxes eloquent.

Ask her about marriage and her ideal honeymoon place to which she quickly replies, "It has to be Venice though I've never been there. But something about the place makes me love it. As for marriage, it's nowhere on my mind. I haven't though about it," she signs off.